#Mbox 2 pro power supply upgrade

Dedicated stereo monitor outputs, 2 headphone jacks with independent volume.1Г—1 MIDI interface with MIDI time stamping.S/PDIF audio I/O, phono preamp and RCA connection for turntables.24-bit/96 Khz audio over 4 inputs (2 combo jacks, 2 TRS) and 6 outputs.FireWire bus-powered (power adapter also included.Pro Tools LE with the new вЂњignition packвЂќ bundle.Interfaces from a number of competitors match the Mbox 2 Pro spec for spec but with additional inputs and outputs and more features.

But other than Pro Tools, I canвЂ™t see a whole lot on this interface that can compete with similar interfaces in the same class. If you need some extra channels for Pro Tools LE and the M-Audio interfaces leave you cold, this could be a good choice, though IвЂ™d take a good look at the 002 first if you have the space.

#Mbox 2 pro power supply upgrade

The phono preamp is a nice touch, although we're sure we're not alone in thinking it would have been more than handy to have two - something for the Mbox 3? No matter throw in the Pro Tools LE software - plus a pair of MIDI sockets on the back panel - and you have a superb package for anyone looking to upgrade their existing Mbox.ДЄs if youВґre starting out on the road of professional-level audio recording, you must check this out.Adding to the flood of new computer audio interfaces this summer is the Mbox 2 Pro from Digidesign, filling a gap left long ago by the old Digi 001. WhatВґs more, the fact that it runs perfectly well from the power supplied by the FireWire bus means itВґs ideal for the engineer on the move. It sounds terrific, just as youВґd expect from a company with such a long and revered history. How much of a pain this is depends on how often you run high sample rate sessions that require an external clock.ДЄpart from the drawback of not being able to use it on the same buss as a FW800 drive, the Mbox Pro 2 is an outstanding audio interface. Speaking of which, although the unit supports the use of higher sample rates (up to 96kHz), and is happy to output a clock signal up to that rate, it wonВґt accept clock rates higher than 48kHz at its word clock input (or S/PDIF input). With a fully charged (and FireWire-equipped) laptop and an Mbox Pro 2 youВґre able to record high-quality audio anywhere you like. This effectively means that the unit is ready for recording on the move straight out of the box.

We were expecting to have to use the supplied power supply to top-up the current, but we were wrong. We had no trouble running the 48V phantom power facility on the Mbox 2 Pro when it was connected to our MacBook. The headphone outputs are loud, and we preferred the sound of them to the headphone output on our Apogee MiniDAC, which was quite a surprise. This is a godsend for users who are used to sharing one mix while recording. This means you can set up a separate mix for your vocalist while youВґre monitoring using the regular output mix. The first is hardwired to the monitor outputs, but the second can be configured to give you outputs 3-4 at the press of a switch. One of the handiest features of the Mbox Pro 2 is the provision of two headphone sockets on the front panel. One thing to watch out for, though, is that it wonВґt work correctly on a FW800 buss - the Mbox Pro 2 is rated for FW400 only. The FireWire interface handled everything we threw at it, including six outgoing audio streams at 96kHz.